Holiday Skits for Young Students

Holiday Skits for Young Students Developing holiday skits and plays for young students can be a challenge. This list of ideas for imaginative holiday performances can help you to create an event that is enjoyable for children and their parents. Religious Christmas Plays For religious or private schools, Christian Crafters offers a long list of good-natured Christmas skits. Some are Biblically inspired, while others share warm-hearted stories of faith and holiday spirit. Another Christian themed website showcases an extensive catalog of free skits and plays celebrating the historical and mythical St. Nicholas. Secular Christmas Plays For teachers looking for a more secular approach to holiday skits, Apples 4 the Teacher provides an abundance of creative resources for teachers. Festival of Lights Finally, there are a few sites that offer scripts for Hanukah. The Tree of Light is a full-length musical that can be performed, royalty-free, so long as teachers request permission from the playwright. And for older students who might enjoy classic sketch comedy from vintage 1980s Saturday Night Live, recreate this whimsical skit about â€Å"Hanukah Harry.† Each of these choices will bring laughter, fun, and creativity into your classroom†¦ all the while spreading a bit of holiday cheer!

How Can an English Literature Course Help Me to Write a Worthy Paper

How Can an English Literature Course Help Me to Write a Worthy Paper How Can an English Literature Course Help Me to Write a Worthy Paper? WhÃ'â€"lÐ µ wrÃ'â€"tÃ'â€"ng Ã' Ã ¾mÐ µÃ'• nÐ °turÐ °llÃ'Æ' to some Ã'€Ð µÃ ¾Ã'€lÐ µ, others have tÐ ¾ mÐ °kÐ µ Ã' Ã ¾nÃ'•Ã' Ã'â€"Ð ¾uÃ'• Ð °nd concentrated Ð µffÐ ¾rts to craft a worthy paper. It doesn’t concern Ð ¾nlÃ'Æ' thÐ µ wÐ ¾rdÃ'•, but Ð °lÃ'•Ð ¾ the fÐ ¾rmÐ °ttÃ'â€"ng, spelling Ð °nd grÐ °mmÐ °tÃ'â€"Ã' Ã °l Ð µrrÐ ¾rÃ'• thÐ °t Ð ¾ftÐ µn overfill the students Ð µÃ'•Ã'•Ð °Ã'Æ'. There is a numbÐ µr of rÐ µÃ °Ã'•Ð ¾nÃ'• fÐ ¾r thÃ'â€"Ã'•, hÐ ¾wÐ µvÐ µr they Ã' Ã °n be Ã' Ã ¾rrÐ µÃ' tÐ µd effortlessly wÃ'â€"thin a short period Ð ¾f time. In the case of containing a lot of mistakes, the Ð µÃ'•Ã'•Ð °Ã'Æ' could nÐ ¾t receive a good mark. It Ã'â€"Ã'• important tÐ ¾ make Ã'•urÐ µ that Ð °nÃ'Æ'thÃ'â€"ng frÐ ¾m a paper title to a full blown rÐ µÃ'•Ð µÃ °rÃ' h Ã'€Ð °Ã'€Ð µr Ã'â€"Ã'• Ã' Ã ¾rrÐ µÃ' t and rÐ µÃ °dÃ'• wÐ µll. English Literature Helps Students who have taken a course in English literature face these issues less or do not suffer from these problems at all. Why? Because they have been exposed to so many literary works that you can be assured, they can tell you even more on how to write a perfect paper. The Power of Reading Now taking an English Literature course provides you with a number of benefits. It is known that people, who read a lot, train their memory so that they can keep everything in mind. Moreover, their vocabulary is much more spread than a common student’s one is. They may even do not now all the rules on how to write properly, but they do this automatically. Such a course certainly helps them write more creatively and be more aware of the common errors and how to avoid them. Once you have read many books written by great writers, on different styles and on different issues, your mind is more open to new ideas, how to describe emotions, how to use the right word at the right time. What is most important, it teaches you how to be a lot more engaging with what you are writing about. Logical sequences and well-constructed sentences help to maintain the interest of the reader. As a result, your chances of submitting a worthy paper are far greater. Here are some common errors that can occur in the submitted term papers: Spelling Using spell check is not 100% reliable. Sometimes the context of the sentence can confuse the logic of a computer program. Be aware. Improper Person AlmÐ ¾Ã'•t every Ã'•tudÐ µnt hÐ °Ã'• a problem wÃ'â€"th writing Ã'â€"n the wrÐ ¾ng Ã'€Ð µrÃ'•Ã'€Ð µÃ' tÃ'â€"vÐ µÃ'• at Ã'•Ð ¾mÐ µ Ã'€Ð ¾Ã'â€"nt or another. It Ã'â€"Ã'• a Ã' Ã ¾mmÐ ¾n Ã'€rÐ ¾blÐ µm, and Ã' Ã °n bÐ µ addressed with a lÃ'â€"ttlÐ µ bit of undÐ µrÃ'•tÐ °ndÃ'â€"ng. ThÐ µ two most Ã' Ã ¾mmÐ ¾n Ã'€Ð µrÃ'•Ã'€Ð µÃ' tÃ'â€"vÐ µÃ'• for wrÃ'â€"tÃ'â€"ng are thÐ µ first Ð °nd third Ã'€Ð µrÃ'•Ð ¾n. Fragments and Run-On Sentences Students commonly fÃ'â€"nd themselves Ð µÃ'â€"thÐ µr wÃ'â€"th a lÐ ¾ng wÃ'â€"ndÐ µd Ã'•Ð µntÐ µnÃ' Ã µ Ð ¾r ones thÐ °t are nÐ ¾t Ã' Ã ¾mÃ'€lÐ µtÐ µ ideas. ThÃ'â€"Ã'• Ã'â€"Ã'• a vÐ µrÃ'Æ' Ã' Ã ¾mmÐ ¾n Ã'€rÐ ¾blÐ µm Ð °mÐ ¾ng professional wrÃ'â€"tÐ µrÃ'•. GÐ µnÐ µrÐ °llÃ'Æ', individuals would Ð µÃ'â€"thÐ µr have trÐ ¾ublÐ µs wÃ'â€"th Ð ¾nÐ µ or the Ð ¾thÐ µr, but Ã'â€"n Ã'•Ð ¾mÐ µ cases bÐ ¾th Ã'â€"Ã'•Ã'•uÐ µÃ'• Ð °rÐ µ a problem. Not Proofreading PrÐ ¾Ã ¾frÐ µÃ °dÃ'â€"ng Ã'â€"Ã'• nÐ ¾t Ð °ll that fun Ð °nd no Ð ¾nÐ µ lÃ'â€"kÐ µÃ'• doing Ã'â€"t, but Ã'â€"t Ã'â€"Ã'• really important for a wÐ µll wrÃ'â€"ttÐ µn paper. AÃ'• wÐ µ Ã'€Ð ¾Ã'â€"ntÐ µd out earlier, Ã'•Ã'€Ð µll check does nÐ ¾t Ã' Ã °tÃ' h Ð µvÐ µrÃ'Æ' tÃ'Æ'Ã'€Ð µ Ð ¾f Ð µrrÐ ¾r that Ã' Ã °n bÐ µ fÐ ¾und in typical wrÃ'â€"tÃ'â€"ng. It takes only a fÐ µw mÃ'â€"nutÐ µÃ'• to rÐ µÃ °d Ð ¾vÐ µr to make sure thÐ °t thÐ µÃ'Æ' Ð °rÐ µ complete thÐ ¾ughtÃ'•, have thÐ µ Ã' Ã ¾rrÐ µÃ' t wÐ ¾rdÃ'• and mÐ °kÐ µ Ã'•Ð µnÃ'•Ð µ.

A case on Mergers & Acquisitions Assignment Example | Topics and Well Written Essays - 2750 words

A case on Mergers & Acquisitions - Assignment Example me concepts such as FDI1, which is the acquisition of ownership of assets by a foreign country in another country with the intention of having direct control over manufacture, distribution and sales of a firm in the host country. Foreign investment basically means the gap in a country’s requirement for investment and its savings rate (Yuang, 1998 p.63). The host country for FDI stands to benefit in a number of ways in terms of capital formation, export diversification, technology import, management system improvement, and enhanced market competition, infrastructure development to support economic activity, financial sector growth and markets development (OECD, 2001 p.13). FDI is a powerful engine in helping to achieve country objectives such as those about poverty reduction, development and international integration, and it is perceived to be an international investment route that most developed economies have embraced. Low income countries in Africa, for example, have not taken this advantage and are thus being excluded from the globalization benefits of FDI. This research paper seeks to explain general aspects of international trade and economic blocs as well as critically evaluate the economic environment for FDI in the United Arab Emirates focusing on business risk for a firm keen on investing in UAE and considering key aspects of the international business environment such as culture, ethical practices, legal systems, purchasing power, income, consumption patterns, taxes, infrastructure, economic prospects and stability in general among others. Picking on a specific product or service, the paper will explain distribution and marketing strategies and provide guidance on the extent to which the firm’s performance may be put at risk based on last five years. International trade deals with the dynamics around movement of goods and services including intellectual property across country borders and it affects not only a country’s economic, social and

Endotracheal intubation pros and cons of its use in the emergency Research Paper

Endotracheal intubation pros and cons of its use in the emergency medical services field - Research Paper Example ared towards the pros and cons of the application of endotracheal intubation during the different procedures of emergencies that are usually undertaken when issues of time and saving life is at stake. In the discussion that follows, a deeper understanding on the realities behind the process of applying endotracheal intubation shall be given way. It is through this that the characterization of the said process shall be well opened for criticism with regards the positive effects as well as the negative effects of the medical approach to the patients immediately treated through endotracheal intubation (Sengupta 8). A part of the context of this particular reading shall also present the necessary reasons behind the establishment of such process and how it has been approved for medical application; from this particular discussion, a path towards the revealing on how the entire medical approach is actually creation a major breakthrough as well as a major danger to some patients to whom the process is applied to. Basically, endotracheal intubation is the description as to how the use of a plastic tube is utilized as a means of protection for the trachea and a direct passage for air during a critical medical situations. With the aid of laryngoscope, the tube is passed towards a path that includes the nose, larynx, and the vocal cords. This process then aims to at least give a patient that chance to breathe especially in special cases that they are already unable to release and accept air for body circulation. A bulb is then lighted at the tip of the apparatus to secure the entire set up in place and avoid vomit and blood from getting through the set up. The application of the entire set up may seem to be easy to explain however, it is really hard to apply though. One applying such process needs to have a mastery of its actual practice. Particularly, this is required to assure that the patient undergoing such medical treatment does not undergo any complications along the

The White Cube Museum Essay Example for Free

The White Cube Museum Essay Introduction: White cube was set up by art dealer Jay Jopling, an ex-Estonian and son of a Conservative MP who is married to artist Sam Taylor Wood. It was first opened in a small, square room in May 1993 in Duke Street. Indeed, it was the smallest exhibition space in Europe at the time, and yet, for such a small space white cube became, arguably, one of the most influential galleries of the past decade. Situated at 44 Duke Street, St James, one of London’s most traditional art dealing streets, surrounded by auction houses, old master galleries and specialist art bookshops.   The central concern of White cube was to create an intimate space in which an artist could present a single important work of art or a coherent body of work within a focused environment. In this regard, the gallery achieved its reputation by being the first to give one person shows to many of the so-called Young British Artist [YBAs]. Even when it moved to its present location at Hoxton Square, it still held on to its unique gallery rule that an artist could only be exhibited once. By this time, white cube had built up an international reputation for showing international artists such as Chuck Close, Richard Prince and Jeff Wall but interspersed with this Jay Jopling had also shown, cutting edge, YBAs including Gary Hume, Mona Hatoum, Marc Quinn and Sarah Lucas. Alfred H. Barr. Jr., director of the Museum of Modern Art, MoMA, is credited for transforming the white cube concept into a functionalist ideology that conveyed purity and restraint, hence setting up the canon for modern art. On the other hand, Carol Duncan has attempted to bring out the effect caused by MoMA’s imposition of the masculine gaze to modern art galleries. Indeed her writings have given feminists an impetus to show that the personal is political and hence, women can channel there own experiences to disrupt the masculinity of the museum’s space. Ideally, Carol Duncan challenges the white cube’s functionalist concept of purity and restraint by directing us to begin to think about ‘female form’ and its cultural significance. The concept of purity and restraint conveyed by the white cubes has its basis in the ideology that representations of the female body can be though to be less of a static object and more as a limit point or set of exclusions, for while an image of the body of a woman can represent all that is pure or worthwhile, it can also embody that which is thought to be the most contaminated and disgusting. It is this objectivism of the female body by male artists’ that Duncan describes as male artists’ attempts to reach abstraction. The white cube captures this abstraction in such a way that it bars women artists from admittance to its canon. She seems to portray the idea that this canon emanates from the view point of a heterosexual male audience whose desires activated the modernism of the white cube art concept. In essence Carol Duncan’s main critique of MoMA’s white cube is based from its perceived attempt to foster stereotypes in society. From her are led to imagine exhibition sites to be quite the opposite of the white cube, to be social spaces based on the model of a living, responsive, organic entity. This is because to her, the white cube deliberately restricts the range of sensorial input to the viewer as works are spatially isolated in uncluttered, pristine environments characterized by large expanses of bare, unadorned wall. The cool aesthetic of the modern art institution, to her, only serves to emphasize the architecture as a functional container and a set of solid surfaces. This makes the art museum appear like a ritual site whose aesthetic exhibition, courtesy of the white cube, distinguishes viewers from art works both conceptually and spatially, which is an ideal of the neutralized relationship between art and space. Emma Baker also presents a different angle to the critique on the white cube. She argues that by interpreting artistic statements concerning art and space within the expanded notion of interior space, better understandings and more appropriate solutions will result. This solutions are necessary because the modernist idea of a universalized and neutral environment for art as espoused by the white cube concept impinges on the interior space in the gallery, and therefore on the artwork. The idea of space itself is considered an ambiguity, and it is this ambiguity that the white cube concept capitalizes on, presenting an unobstructive gallery space characterized by sterile and lifeless walls. This is a marked contrast from the artists of the past who expressed their spatial concerns within the abstract notions of the interior, architecture, environment, and /or space; hence there is a lot of interest expressed by artists, in negotiating concerns associated with the physical, psychological, and experiential implications of space. In as much as Emma Baker declines to support the white cube concept, which has been the traditional approach of a modernist museum to the collection and exhibition of art work, she also does not go out to support the artists of the past since, according to her today’s museum’s privileging of newness, non-linearity, and post modernity seems to disavow the influence of history and the relevance of modernity. Her writings instead seem to allude to an approach which is concerned with the mediation of that art work to a diverse public, rather than the cultivation of the artist within a historical context. This is because, today architecture is the prevailing element that determines the quality and characteristics of art related spaces and therefore dictates the interrelation of art and space. Thus, because of the psychological, aesthetic, and behavioral implications, the notion of the interrelation of art and space needs to be considered within the complexity of interior space. Essentially, Baker advocates for a generic post modern approach style, which presents the concept of space in a fashion that is without precedent in architectural style, something which is widely apparent in recently constructed museums and shopping malls globally. And yet, the fundamental structure underlying these new effects can also be seen as maintaining clear connections with past incarnations of the institution’s built form. Precedents for this approach include the exhibitions from the Education and Community Program, such as Unspoken Truths (1993), and Once is Too Much (1997-1998). These exhibitions, and the programs of work from which they derived, set standards for education and community work within, rather than parallel to, the museums activities. Hence the idea of neutrality as espoused by the white cube is in this context dismissed within a design sensitive framework.   Furthermore, Emma Baker considers that one of the key functions of a museum of modern art, through the acquisition of art works, is to challenge rather than to reinforce assumptions about definitions of art and artists. This viewpoint contributes to make a powerful argument for a new way of looking and thinking about art that is open and inclusive rather than closed an exclusive. As such, this viewpoint employs features of modernity at a generally invisible albeit fundamental level. This is so in regard to history, display and communication on the one hand, so that on the other, it can attempt to undercut the problems of representation associated with modernity, by referencing a post modernity that denies both historical precedents and the connection between museums and modernity as a progress-oriented project. This is ironic in relation to modernism’s belief that ‘ornament is a crime’ because it   looks as if post modernity has been appropriated within Emma Baker’s view point not as a cohering style, or as a guiding principle, but as precisely that: adornment. In both asserting and critiquing the idealized modernity of white cube exhibition spaces through their strategies of display, Emma Baker’s viewpoint may be physical evidence for the argument that modernity and post modernity do not exist in a dialectical relationship, but as influences that overlap and compete for attention. In conclusion, it is important to note that both authors, Emma Baker and Carol Duncan attempt to critique the white cube’s concept of artworks that speak for themselves by employing neutrality to achieve the needed effect. Carlo Duncan approaches her criticism from the standpoint that rather than have museums with bare and unadorned walls, art exhibitions were designed to be   social spaces based on the model of a living, responsive, organic entity. Emma Baker on the other hand argues that what is essentially needed is some sort of mediation of that art work to a diverse public, rather than the cultivation of the artist within a historical context. Reference: Marie Fitzpatrick, D. The Interrelation Of Art And Space: An Investigation Of Late Nineteenth And Early Twentieth Century European Painting And Interior Space http://64.233.183.104/search?q=cache:StnTM_h7QVAJ:www.spokane.wsu.edu/Academics/Design/documents/Theses/d_fitzpatrick_10568509.pdf+Emma+Barker+*white+cubehl=enct=clnkcd=24gl=keclient=firefox-a Toorn, T. Sensing Bodies: Documentation, Preservation and Wearable Computer Art http://64.233.183.104/search?q=cache:ClLDm5PRsH4J:www.docam.ca/Pedagogie/Seminaire_2006/Tai_van_Toorn.pdf+Carol+Dunkan+*white+cubehl=enct=clnkcd=10gl=keclient=firefox-a

Essay --

Sastra merupakan suatu bentuk karya yang tertulis dengan makna dan tujuan tertentu dari pengarangnya. Karya sastra bervariasi bentuknya, ada yang pendek ada yang panjang, ada yang terikat aturan ada yang bebas. Karya sastra tertulis dibuat untuk merekam kejadian yang terjadi pada saat itu di masa lampau. Seiring dengan perkembangan jaman, makna sastra berkembang dan jenisnya pun beragam. Puisi adalah salah satu cara para penyair untuk mendeskripsikan kondisi sosial pada suatu masa atau era. Sejak dahulu Indonesia sudah terkenal dengan karya-karya sastra yang berbentuk pantun, sajak, gurindam, mantera, syair dan lain sebagainya. Karya-karya ini digunakan untuk berbagai macam kejadian seperti pernikahan, kematian dan acara sosial lainnya. Seiring dengan perkembangan jaman, berkembanglah pula karya-karya sastra tersebut dan muncullah jenis-jenis puisi baru. Puisi-puisi baru tersebut juga digunakan sebagai salah satu bentuk ekspresi dari seorang sastrawan untuk mengungkapkan perasaan dan pendapat terhadap kondisi sosial yang berlaku di masyarakat. Baik berupa pujian maupun berupa sindiran atau protes. Karya sastra merupakan potret sejarah yang mencerminkan kondisi sosial masyarakat, politik, ekonomi dan budaya yang terjadi pada saat itu. Puisi yang akan dibahas dibuat pada tahun 1978 pada masa awal pemerintahan Soeharto setelah kesekian kalinya. W.S. Rendra membuat puisi â€Å"mata-mata† dengan suatu tujuan untuk memprotes sekaligus merefleksikan kondisi sosial masyarakat Indonesia berdasarkan pengalaman pribadinya hidup di jaman itu. Puisi yang akan dibahas ini adalah sebuah puisi yang berjudul â€Å"mata-mata† karya WS. Rendra. Beliau adalah salah satu penyair terhebat dan paling dikenang di Indonesia sepanjang masa. Bentuk puisi â€Å"mata-... ...si ini ditulis. Sehingga hasil interpretasi bisa menjadi tepat dengan adanya dukungan dari sejarah dan kejadian nyata. 1.4.1 Metode Pengumpulan Data 1.4.1.1 Sumber Primer 1.4.1.2 Sumber Sekunder Sumber sekunder dapat didapatkan dan dikumpulkan melalui puisi ini sendiri, buku dan situs-situs Internet. Informasi yang akan digunakan akan diseleksi dan dipilih secara seksama sehingga informasi yang didapatkan relevan dan terpecaya. Esai ini bertujuan untuk menganalisa dan mengupas tuntas sebuah puisi yang berjudul â€Å"mata – mata† karya WS. Rendra untuk menjawab sebuah pertanyaan â€Å"bagaimana puisi â€Å"mata – mata† dapat menunjukkan kondisi sosial Indonesia? Dengan cara menganalisa dan mengupas tuntas dengan berbagai teknik dan teori, maka arti dan tujuan dari puisi itu sendiri seakan-akan dapat diperjelas dan lebih nampak agar lebih mudah untuk dimengerti oleh semua orang.

A Modern Day Sleeping Beauty

Once upon a time there lived a young couple who had found true love and were bound together by fate. His name was Brian and hers was Melody. They lived it the beautiful city of Anchorage, Alaska. Brian was a C-17 Pilot stationed at Elmendorf AFB and Melody a 1st grade teacher at local school. Melody was a beautiful sight; her body was athletic, her hair fell over her shoulders and was highlighted to the most beautiful blonde, her skin was flawless and her eyes were blue but not an ordinary blue; like a tropical ocean and they sparkled like the water when the sun hit it. Brian wasn’t so bad himself. He was what all girls dreamed prince charming to be. He was tall and worked out often; his muscles could be seen through his shirt, his hair was dark, his skin tan, and one could get lost in his piercing green eyes. Brian and Melody spent every chance they had together outside of their busy schedules. They went on evening walks together and early morning jogs. They sat on their front porch and watched the sun rise and set in the beautiful snow covered Mountains of Anchorage. Most weekends the couple would make time for dinner and a movie. Brian and Melody were made for each other. Even a stranger could clearly see the love they had for each other would never die. (Sight & Touch) It was a cold brisk night in late December; the weather had changed in a matter of hours. The wind rose with a backing wind, it brought a clouded sky and a heavy snowstorm with it. A pallor of winter evening seemed to have closed upon the city, cloaking it in a blanket of snow. Brian and Melody were returning home after eating dinner at the Olive Garden and watching the movie â€Å"The Black Swan†. They had enjoyed their night out at dinner and a movie. The aroma of garlic wafted through the air from the white styrofoam box filled with Sicilian Scampi and the delightful flavor of light buttery popcorn remained in their mouths as if they were still indulging on it. The weather brought the worst driving conditions; (Sight) everything around them seemed to disappear in a thick white haze through which large snowflakes of snow were flying; the sky merged with the earth. (Hear) The wind blew with freezing blasts and such force it howled around the car as it faded out the music playing over the radio. The vehicle swayed while Brian fought to regain the road that was now a snowdrift burying the yellow and white painted lines. The challenging road conditions were inviting collision as other cars overtook the wrong side of the road and had a complete disregard for speed limits. Brian deeply concentrated and felt comfortable driving his 4 wheel drive Rubicon in these conditions. Breaking his concentration; Melody frantically shouted, â€Å"Brian, that truck, he is in our lane†! Brian didn't have time to react, â€Å"Crash†. The airbags deployed while the jeep flipped end over end and slid on the white blanket of snow that was once the road. The jeep came to a stop landing on its roof, the windows were busted out and the headlights shinned directly at the truck that had hit them. The Ford F-150 sat upright sideways in the road. It took a moment for Brian to come to reality with what had just happened. He glanced over at his wife who still sat there restrained, unconscious and bleeding severely from her head. He could hear the sirens of an Ambulance and Fire Truck off in the distance. Before he knew it he and Melody were being rushed to the hospital in an Ambulance. Brian lay there in the back of an Ambulance suffering only minor injuries. Melody lay across from him. Time seemed to stand still while he watched the Paramedics try to revive his wife. He shouted at the Paramedics, â€Å"do something, do something! † â€Å"Please do something; please don’t let my wife die! † They arrived at the hospital in what seemed to take hours to Brian. The Paramedics were able to get Melody’s heart beating but she was still unconscious. Brian paced back and forth up and down the hospital halls as his wife underwent surgery. The Dr. finally came out and said, â€Å"I have good news and bad, your wife seems to be stable but she is in a coma that could be indefinite. † â€Å"Indefinite†, Brian shouted! The Dr. attempted to calm Brian and Explained, â€Å"I can't promise that she won't wake up but it may take a miracle. She could wake up tomorrow, she could wake up in a month or she could be a Modern day Sleeping Beauty†. The following months felt like years to Brian. Melody lay there in a deep sleep and Brian remained by her side. Brian would speak to her softly while clasping her hand or pinching er fingers; He would tell her he loved her and beg her to wake up. He played songs the couple had danced to from their wedding and read to her from her favorite books. Often Brian would run his hands through Melody’s long blonde hair admiring her beauty dreaming of a future they had planned. The Dr. ’s showed little hope that Melody would ever wake up but Brian never gave up believing. Six long Months had passed and summer had come. Brian was at his last wit and desperate. One late night Brian said a prayer for his wife as he did every night before. Then he leaned over her bedside and pleaded, â€Å"Melody if you can hear me, please just give me a kiss. † What happened next was beyond Brian’s wildest dreams. To his shock Melody responded; slowly she turned her head towards his, puckered up her lips and gave him the smallest kiss. At that moment fate was sealed tightly, bound by one simple kiss and they lived happily ever after. â€Å"You can’t stop fate; â€Å"Whatever will be, will be†. Life presents unavoidable risks. You can’t stop the fate of True Love; it is also unavoidable. True Love is worth believing in and True Love never dies.